Posts tagged studio
NEWS: Sequanza 21 Reviews BMOP's "Cymbeline" by Charles Fussell

With BMOP’s new recording of his 1980s adaptation of Shakespeare’s Cymbeline, It is pleasing to see that they still are. In addition to winsome soloists soprano Aliana de la Guardia and tenor Matthew Battista – both taking on multiple roles.

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VIDEO: Maja Dolorosa No. 3” by Enrique Granados

Happy world voice day! I take my practice and vocal development very seriously. Sometimes I go out of my way to choose songs to work on, just for me, that help me develop or discover something new about my voice or to build on something that I feel needs improvement.

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NEWS: “Loose, Wet, Perforated” Reviewed in Opera News

Joe Cadagin of Opera News reviews Guerilla Opera's studio album of "Loose, Wet, Perforated" by Nicholas Vines, released on Navona Records October 2017. He writes: “Soprano Aliana de la Guardia struts her stuff as the wanton Loose. She has a trashy moment of vulnerability when her character performs a striptease…”

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NEWS: “Loose, Wet, Perforated” Reviewed in Gramophone

Laurence Vittes of Gramophone Magazine reviews Guerilla Opera's studio album of "Loose, Wet, Perforated" by Nicholas Vines, released on Navona Records October 2017. He writes: “Aliana de la Guardia’s Loose lets loose dizzying flights of virtuosity…”

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NEWS: “Loose, Wet, Perforated” by Nicholas Vines Available on Navona Records

Composer Nicholas Vines’ surreal opera Loose, Wet, Perforated comes to life in this Navona Records release. Commissioned by the Boston-based experimental opera company Guerilla Opera and premiered in 2011, this audacious, rollicking conceptual mash-up by composer Nicholas Vines puts a very modern spin on some quite ancient ideas.

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