Aliana reprises her role of Rumpelstiltskin by Marti Epstein with Guerilla Opera, a role which she premiered almost 10 years ago.
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A recording of "For This Moment Formed" an aria from Pedr Solis, with music by Per Bloland and libretto by Paul Schick.
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I had such an awesome year! I’d love to share my 2018 highlights with you! Check out this fun video!
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With BMOP’s new recording of his 1980s adaptation of Shakespeare’s Cymbeline, It is pleasing to see that they still are. In addition to winsome soloists soprano Aliana de la Guardia and tenor Matthew Battista – both taking on multiple roles.
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A year ago today I was launched into a life journey. The story I shared seemed to me, at the time, to be small in comparison to some others, yet still, speaking out, and SO publicly, was the scariest thing I've done in my life.
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Cellist David Fenwick from the Semiosis Quartet and Aliana are featured on icareifyoulisten.tv performing “From Sleepless Nights” by Daniel Felsenfeld at Spectrum in Brooklyn.
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Enjoy a video of “Of All Those Who Held It Would Come” from Friday, November 16, 2018 when Aliana performed on a portrait concert of works by composer Daniel Felsenfeld with Semiosis Quartet at Spectrum in Brooklyn.
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Guerilla Opera’s board of directors has appointed Aliana de la Guardia and Julia Noulin-Mérat as co-artistic directors! They have been working together to produce the experimental company’s world premiere operas and productions since 2009. Together, now they will serve as the faces of the company.
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Aliana de la Guardia sings "Is It Really Me" from 110 In The Shade. From an outreach performance with her Dirty Paloma Voice Studio in May 2018.
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Boston Classical Review raves about Guerilla Opera’s Emergence I concert and about Aliana!
Read MoreOn Saturday, May 5th I buzzed my hair live on Facebook for friends and family! My goal was to raise awareness and money for services that make life during treatment less stressful for children battling cancer and their families.
Read MoreSo incredibly flattered to be featured in this quarter's issue of Haverhill Magazine. The interview focuses on my work with Guerilla Opera, my local voice studio and my solo performances.
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Happy world voice day! I take my practice and vocal development very seriously. Sometimes I go out of my way to choose songs to work on, just for me, that help me develop or discover something new about my voice or to build on something that I feel needs improvement.
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I performed Canción (para mi niño) by Orlando Jacinto García as a part of my Dirty Paloma program called "Spanish Johnny," a musical portrait of an old-time desperado …
Read MoreAliana performs "Position, Influence" by David Coll at the New York Transduction Festival (Volume 2)!
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Falling back on traditional works keeps up my technique, gives me goals to shoot for and allows me to fall in love with this music all over again. "Amarilli, mia bella" by Giulio Caccini
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An aria from a reading of Crafting the Bonds, a new opera with music by Elena Ruehr, libretto by Gretchen Henderson. On this track is Cappella Clausura and the Arneis String Quartet conducted by Amelia LeClair.
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Here I am performing "Different Kinds of Light" by Marti Epstein with cellist Stephen Marotto. Text by Jackson Mac Low. Filmed from a live performance on January 22, 2018 by Boston Conservatory at Berklee.
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Joe Cadagin of Opera News reviews Guerilla Opera's studio album of "Loose, Wet, Perforated" by Nicholas Vines, released on Navona Records October 2017. He writes: “Soprano Aliana de la Guardia struts her stuff as the wanton Loose. She has a trashy moment of vulnerability when her character performs a striptease…”
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Today an article came out in The Boston Globe detailing the disturbing #MeToo interactions of several women, myself included, with a local conductor and music educator associated with the Boston Conservatory at Berklee and various other institutions in the Greater Boston Area.
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