Boston Musical Intelligencer
Despite all the ongoing challenges she has faced, de la Guardia finds the positive in everything. When the pandemic disrupted Boston’s theater industry, the artistic director of the multidisciplinary artist-run troupe, Guerilla Opera, refused to panic... (DIG BOSTON)
Read MoreSuccess, to me, is not filling the biggest halls with the most amount of people. It's supporting the artists I care about, providing an opportunity to practice their art as part of a community, and fostering a culture of abundance, to the best of my ability.
Read MoreSuccess, to me, is not filling the biggest halls with the most amount of people. It's supporting the artists I care about, providing an opportunity to practice their art as part of a community, and fostering a culture of abundance, to the best of my ability.
Read MoreAliana de la Guardia teaches this “Guerilla” intensive designed to expand your creative mind, and to develop awareness, openness and quick thinking through physical theater.
Read MoreAliana was recently selected as a protégée for OPERA America’s Women’s Opera Network Mentorship Program for Women in Opera paired with Lee Anne Myslewski of the Wolf Trap Foundation for the Performing Arts in Vienna, VA.
Read MoreThank goodness for soprano Aliana de la Guardia. The co-founder of contemporary company Guerilla Opera doesn’t often take standard repertoire roles, but she fully showed up for this one.
Read MoreAliana is one of 13 inaugural recipients of a Public Art Learning Fund grant from the New England Foundation for the Arts. She is pursuing a custom-tailored mentorship program with Double Edge Theatre shadowing producing director Adam Bright and co-artistic director Carlos Uriona.
Read MoreAliana is the new Treasurer of National Association of Teachers of Singing, Granite State Chapter
Read MoreAliana reprises her role of Rumpelstiltskin by Marti Epstein with Guerilla Opera, a role which she premiered almost 10 years ago.
Read MoreA recording of "For This Moment Formed" an aria from Pedr Solis, with music by Per Bloland and libretto by Paul Schick.
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